Friday, 26 March 2010

Dangerous Liaisons

Today I bought my first copy of The Spectator, although it is a milestone I feel rather ambivalent about.

For the first five minutes I was absorbed in a witty critique of a society party at Claridge’s. A riposte at Samantha Cameron’s televised “estuarial” accent (which presumably is snob for ‘Essex’) kept my attention. I was further intrigued by a historical account of Jewish-American politics. But then there were complaints of pylons marring the green and pleasant land, and a feature on why gals won’t swoon at Martin Amis in the same way that guys do.


Then I got to the centrefold. Far from being photographs of scantily-clad ladies, here were articles about how to be fully-clad gentlemen. David Cameron’s penchant for having five buttons on his cuff, rather than two or three, is examined in a manner akin to investigative journalism, the writer approaching Saville Row tailors for expert accounts and referring to Cameron’s previous dress habits as if they were exhibits in a legal trial. In another piece, Celia Walden lists her style rules for sartorially-challenged men in an abrasive and imperative mode, breaking completely with the personable style that she employs in women’s magazines. According to Walden, “Mao-necked suits…[are] reserved for perverts, misfits and bisexual members of the fashion industry.” If a statement so revolting managed to bypass the editor, it would suggest that they a) had not read it, b) agreed with it heartily, or c) guilty and ashamed of that supposed error to ever bring it up lest the crime should be discovered. Had I not been distracted by an advert for a silver cigar-holder in the shape of an upturned tortoise balancing on an elephant, I might have thrown the whole magazine out of the window.

As I turned the pages, it slowly dawned on me that the eponymous Spectator was not the bewildered layperson looking up at the hullabaloo of politics and celebrity, but the ticket-holder for the upper galleries sneering down on the farce that is the shoddily-dressed British public. I asked myself whether I should be disappointed in my own lack of judgement. Surely my aptitude to tell the political agenda of a weekly magazine was better than that?

I decided eventually, after reading about designer stationary, £50,000 beds and custom-made pyjamas that I was worrying about this far more than it was necessary. After all, the writing itself was accessible and entertaining, and the reading of opinions that contrast with your own is vital for both reassessing and reaffirming your own position. The expression, ‘to take with a pinch of salt’ or, in other words, to reserve some scepticism seems especially relevant here, especially if the salt is from a silver shaker. On that note, and to dispel your disbelief of the existence of such luxury items, I will leave you with the aforementioned cigar-holder. It is a both a joy and an absurdity to behold.

Tuesday, 2 March 2010

Been there, bought the T-shirt

The journey of an artwork can sometimes be controversial and unpredictable, as is still the case of The Elgin Marbles, one of the many objects recently recounted by Neil McGregor in the BBC Radio Four series A History of the World in a Hundred Objects. McGregor approaches these works from an anthropological point of view as he considers how the needs and desires of civilizations brought about the realisation of things either practical or beautiful, and sometimes both. In light of this, consider the joyful union of esteemed artworks and fashion.

Firstly we have a particular favourite of mine from around three years ago:

A Discus Thrower from Hadrian's Villa in Tivoli...


...as a tourist souvenir in the gift shop.


Then George Stubbs' Whistlejacket...


...making a little detour as Mark Wallinger's appropriation in his 2001 work Ghost...


...winding up on a ladies sweatshirt in Topshop. I caught this today out of the corner of eye, and alas I could not miss Whistlejacket staring out mournfully at me with his big, iron-on-transfer eyes I'm blaming this on retro-chic, assuming that the eighteenth century is all the rage right now. Guillotine earrings and hot-air balloon up-dos, coming to a high street near you.